Showing posts with label book tour. Show all posts
Showing posts with label book tour. Show all posts

Wednesday, June 9, 2010

Guest Post by Helen Simonson: My First Book Tour


At Book Expo America 2010 from left to right: Leslie Sari, Kay Hodges, Helen Simonson, and Marsha Toy Engstrom, The Book Club Cheerleader

photo courtesy of Marsha Toy Engstrom


I’m just back from my first book tour! I published my debut novel, Major Pettigrew’s Last Stand, in early March and while not all debut authors are sent on the road, my book did well enough that my publishers, Random House, sent me on five weeks of touring. You are probably wondering what is so blog-worthy about a writer going on book tour? After all, isn’t that what writers do? But this is my very first novel and my very first tour, so I felt like a small child in a pink tutu on her first trip to the big candy store downtown. In security lines at regional airports, I slipped in and out of my ruby slippers. Arriving in new cities, I was as starry-eyed s if my media escort were meeting me with a glass coach rather than a Honda Civic.

I loved the hotels. They looked just like regular hotels, with lobbies and cute little bottles of shampoo and room service, but I didn’t have to pay for them, so they all seem more shiny, and I didn’t have to wait for my husband to leave the room to dive into the minibar (my husband believes minibars do not offer good travel value).

I loved being escorted. I made an immediate pledge to myself not to take unfair advantage of this service and act like some diva. However, I did allow many of my wonderful escorts to drive me around the nicest homes in each city and of course I always asked to lunch in some obscure spot, beloved of locals – but only if it wasn’t any trouble.

I had intended to treat my tour like a spa trip and eat nothing but salad and fish. But some of the obscure local spots had things like biscuits or maple pancakes and it would have been rude not to try them. I also tried to avoid wine, except wherever I was being toasted. I would not have eaten the chocolate-covered coffee beans, given to me by a nice bookstore owner, had I not been desperate for more room in my cute carry-on bag.

I may be making it sound fun, but many authors complain about book tours being very exhausting. I do have to agree. Some days I had to be chauffeured to two appearances, not one, and reading all those pages and signing books until my wrist ached was not easy; even though I am a trained professional. I had to chat with my readers, maintain my best behavior at power lunches with industry folks – and then there was all that flying, with the associated task of buying magazines in airport newsstands. Some days I really could have used an afternoon nap.

I can’t tell you what a relief it was to get home and back to being a stay-at-home mom with laundry and grocery runs and car pools. I welcomed a little relaxed vacuuming and washing the dog after all the hard work.

However, in retrospect it was such good fun that I believe most writers must live in constant danger of wanting to be on book tour instead of buckling down to write novels. Why face the blank page and writers’ block when you can instead face the impossible decision between room service and the hotel brasserie!

Wednesday, January 6, 2010

Amy Greene Guest Post: Turning My Manuscript Into a Book


It’s been a year since I turned in a final edit of Bloodroot and the work of writing my first novel was over. That’s when the process of turning my manuscript into a book began, and it has been a long one. Each step toward publication has been exciting, but if I hadn’t found something to occupy my mind, I’m sure the wait would have been torture. At some point, I decided to do what I’ve always done to pass the time. I began to write again.

I had been thinking about my second novel ever since I noticed the tops of silos and the beginnings of old roads leading to a town buried deep under the lake near my house. Its waters cover the original site of a place called Bean Station, one of the earliest settlements in Tennessee, flooded by a dam built in 1940 by the Tennessee Valley Authority. I envisioned the people who had lived in the town of Bean Station, imagined the sacrifices they must have made when it was flooded. Land that had been in families for a hundred years was lost underwater; the bones of loved ones were disinterred and moved; historical landmarks were destroyed. I knew I wanted to explore whether or not progress is always a force for good. All that was left was coming up with a story I loved.


With Bloodroot, I wrote mostly about characters my own age and the mountains as I know them. As my second novel evolved, I decided to go back in time to the land of my grandparents, and even farther back, to the land of the Cherokees who lived here first. Progress drove them from their homes many decades before dams displaced East Tennessee families in the 1930s. Most of us living in this part of Appalachia have blood ties to its native people. My husband’s great-great grandmother was a full-blooded Cherokee, and in my father’s family of eight brothers and sisters, half were born with red hair and pale skin and the other half with black hair and dark skin. I’ve always been interested in the link between Native American heritage and my own. With that link in mind, I dreamed up Annie Clyde Dodson, a strong young woman with Cherokee blood.

Once I had a picture of Annie Clyde in my head, the story came to life. That’s how it always starts for me. The image that began Bloodroot was of a woman called Myra Lamb and her twin children Johnny and Laura living in isolation in the mountain woods, hiding from some kind of danger. With Annie, I saw a deep sadness about her and a fierce determination at the same time. I imagined that her little girl had gone missing in the months before her hometown was to be flooded by a TVA dam, and the plot of my second novel fell into place. While everyone else, even Annie Clyde’s husband, believes her child is dead, she keeps on searching alone. For months I’ve been immersed in Annie Clyde’s world, in her race to find her daughter before the dam gates close and the reservoir begins to rise.

But now it’s time to return to Bloodroot. In the coming weeks of my book tour, I’ll be reading out loud to audiences from the story I wrote what feels like ages ago. I look forward to revisiting it, getting to know the characters all over again. As much as I’ve enjoyed being lost in my second novel these past few months, Bloodroot will always be special. No matter how many novels there are to come, and I hope there are a lifetime of them, there will never be another first one.